A real editorial voice.
Dear Glory takes positions. Our most-watched videos aren't recap content — they're arguments. That's what builds trust, and trust is what makes a sponsor placement actually land.
Dear Glory with Moriah Alise is a media company investigating what it takes to build sustainable careers, collections, and ecosystems in the art world — reaching a curated audience of working artists, active collectors, gallerists, and institutional decision-makers across video, livestream, the Letter, and the annual GloryLand summit in Houston.
Most arts media is written for the people watching from outside. Dear Glory is built for the people doing the work — and the brands who want to be on the record with them.
Dear Glory takes positions. Our most-watched videos aren't recap content — they're arguments. That's what builds trust, and trust is what makes a sponsor placement actually land.
Six years, 200+ on-the-record conversations with artists, gallerists, curators, and collectors. We earn the room because we've shown up in it — week after week, since 2020.
Not generic art lovers. Working artists, active collectors, gallerists, advisors, and institutional staff — the people who actually move the contemporary market.
Episodes, Tuesday Live, the Letter, and the GloryLand summit in Houston each October. Partners get integrated across all four — not bolted onto one.
Dear Glory has an unusually concentrated audience: people who buy, sell, advise on, or make the work itself. Sponsors reach four kinds of readers at once.
Houston · New York · Los Angeles · Atlanta · Chicago · DC · Dallas · Miami · London · Lagos.
Art purchases · advisory · fairs & auctions · framing & storage · travel · publications · education.
To get the editorial position before the next opening — and to figure out who's actually moving the field this season.
Subscriber counts are easy. Watch time, return-rate, and concentrated reach are harder — and they're what separate a placement that lands from one that doesn't.
Every partnership ships with a post-campaign report — viewer counts, watch time, on-air mention performance, click-throughs, and a written read-out from Moriah on what actually worked.
Sponsorship is built around your goals, not a template. Single placements, season partnerships, and integrated programs — including custom video produced with the Dear Glory team.
Branded segments, custom field pieces, and "presented by" partnerships across new episodes and the back catalog. Distribution across YouTube, Instagram, and the Glory Edit.
On-air mention, chat-pinned partner card, and post-stream clip distribution across the channel. Real-time co-promotion to a live audience tuned in for the full hour.
Twice-a-month newsletter, written by Moriah. Native sponsor placement, custom section sponsorship, or dedicated send for high-fit partners.
Three days in Houston, each October. Co-programmed with Untitled Art Houston. On-site brand presence, programming sponsorship, and pre/post coverage across the channel.
Every program is built around your goals — integrated, multi-channel, and produced with the Dear Glory team. Request the 2026 media kit for full pricing and packages. Send a brief →
A Dear Glory × UOVO campaign going inside the climate-controlled rooms collectors trust with the most important work in the country. The editorial reel built for Instagram outperformed the long-form — reaching the right audience, faster.
"We're thrilled with the performance of our first collaborative reel. It's such a beautiful video, and the engagement in the comments was fantastic." — UOVO partnerships team
A Dear Glory × BAIA campaign: a single editorial reel built for the BAIA audience, distributed across Instagram, the Dear Glory channel, and cross-platform partner pages. The piece broke 100K+ views in days.
"I see a future of more collaboration." — Black Art In America
Partners listed include current, past, and editorial features. Full media kit available on request.
These aren't slots. They're the major moments Dear Glory is going on the record for in 2026 — the rooms, the fairs, the conversations the field is already paying attention to. Partner against a tentpole, not a feed.
The biggest Dear Glory tentpole of the year. Your brand on-site for three days, October 1–3 — programming sponsorship, hospitality, and pre/post coverage across the full channel. Co-programmed with Untitled Art Houston.
The biggest week on the contemporary calendar. Your brand in every room Dear Glory is in — the fair, the satellite fairs, and the after-hours conversations collectors and gallerists are actually having.
Dear Glory's hometown fair, co-programmed with the GloryLand summit. Your brand inside the booths, the openings, and the conversations that built Houston into a real art capital — in a multi-piece branded series.
Your brand presenting the highest-watched series of the year, every year — the annual read on where the market actually went, who moved it, and what's next.
Beyond the calendar moments above, Moriah travels for museum and gallery openings, opening weekends, exhibition launches, biennial coverage, and multi-piece campaigns with arts organizations. If the moment is real, the work travels — on-site reporting, programming partnerships, and editorial collaborations built around your institution's calendar.
Request the 2026 media kit, book a 20-minute intro call, or send me a note directly. I read every email myself — the best partnerships start as conversations.